Daniel Pitín
Daniel Pitín
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The first monograph on the darkly beautiful oeuvre of the Czech artist.In his painterly work, Daniel Pitín (*1977 in Prague), a leading figure among a generation of artists to have emerged since the fall of communism in Central and Eastern Europe, explores political, architectural, and psychological dystopias through subjects including espionage and surveillance, cinematography and theater sets, pornography and loneliness. Distinctively melancholic though hauntingly beautiful scenes blur the bo…
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  • Publisher:
  • Year: 2015
  • Pages: 160
  • ISBN-10: 3775739963
  • ISBN-13: 9783775739962
  • Format: 25 x 27.6 x 2.2 cm, kieti viršeliai
  • Language: English

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The first monograph on the darkly beautiful oeuvre of the Czech artist.

In his painterly work, Daniel Pitín (*1977 in Prague), a leading figure among a generation of artists to have emerged since the fall of communism in Central and Eastern Europe, explores political, architectural, and psychological dystopias through subjects including espionage and surveillance, cinematography and theater sets, pornography and loneliness. Distinctively melancholic though hauntingly beautiful scenes blur the boundaries between figuration and abstraction. Pitín’s practice can also be described as “expanded painting,” regularly exploring collage, film, and installation as means to go beyond the canvas in his journey into Europe’s recent communist past and into the minds and hearts of those who lived through it.

Daniel Pitín

Edited by Matt Price, Introduction by Jan Zálesák, Texts by Adam Budak, Jane Neal, graphic design by Modern Activity, London

English

2015. 160 pp., 107 ills.

25.00 x 27.30 cm
hardcover

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  • Publisher:
  • Year: 2015
  • Pages: 160
  • ISBN-10: 3775739963
  • ISBN-13: 9783775739962
  • Format: 25 x 27.6 x 2.2 cm, kieti viršeliai
  • Language: English English

The first monograph on the darkly beautiful oeuvre of the Czech artist.

In his painterly work, Daniel Pitín (*1977 in Prague), a leading figure among a generation of artists to have emerged since the fall of communism in Central and Eastern Europe, explores political, architectural, and psychological dystopias through subjects including espionage and surveillance, cinematography and theater sets, pornography and loneliness. Distinctively melancholic though hauntingly beautiful scenes blur the boundaries between figuration and abstraction. Pitín’s practice can also be described as “expanded painting,” regularly exploring collage, film, and installation as means to go beyond the canvas in his journey into Europe’s recent communist past and into the minds and hearts of those who lived through it.

Daniel Pitín

Edited by Matt Price, Introduction by Jan Zálesák, Texts by Adam Budak, Jane Neal, graphic design by Modern Activity, London

English

2015. 160 pp., 107 ills.

25.00 x 27.30 cm
hardcover

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